“制片人炒导演”是当今影视界的一个热门话题。“炒”导演的原因很多,早期社会投资影视生产创作,因投资制片方不熟悉创作规律,造成矛盾从而不欢而散的现象较多,时下则反过来了。现在的“炒导演”之类,很多是因为伪劣导演“一切向钱看”,谁遇上这类导演,谁就面对着层出不穷的陷阱。比方说,投资方要求导演为整个影片的成本和质量负责,导演说:“我是搞艺术的,我为艺术负责,花多少钱我不管,你没钱就别拍!”制片人对摄制开支实施管理,导演往往斥之为“干预创作,影响艺术质量”,以此要挟制片人。没签合同之前,导演会说:“我来不为钱,为艺术,为你们出获奖作品。”到签合 “Producer fried director” is a hot topic in today’s film and television industry. There are many reasons for “speculation” directors. In the early years, social investment in film and television production was complicated because investment producers were unfamiliar with the law of creation and thus created conflicts. Nowadays, on the other hand, they are reversed. Now “fried director” and the like, a lot of because the shoddy director “all money to see”, who met such directors, who face an endless stream of traps. For example, the investor requires the director to be responsible for the cost and quality of the entire film. The director said: “I’m engaged in art, I am responsible for the arts, I do not care how much you do not have the money, do not shoot!” Producers of filming Expenses for the implementation of management, the director often dismissed as “interference in the creation, affecting the quality of art,” in order to threaten the producers. Before signing the contract, the director will say: “I will not come for money, for art, for you out of winning works.” To sign