拍摄《丝绸之路》影片时,我们苦恼过,面对高耸的冰峰、亘古的荒漠,怎样捕捉画面?我们也担心过,用16毫米电影画面摄象,在电视屏幕上收看,能否再现牧场的广阔、戈壁的气魄。为什么呢?因为我们在这部影片自然景观的表现上较多地采用了远景、甚至是大远景的处理方法,而这些恰恰是电视摄影小画面摄 When we were filming the Silk Road film, we were distressed. How could we capture the picture in the face of towering ice peaks and ancient deserts? We also feared that we could watch the film on a 16mm movie screen, watch on the TV screen and reproduce the pasture The vast, Gobi’s style. Why? Because we use more of the long-term and even long-term perspectives on the performance of the natural landscape of the film, and these are precisely the small screen shots of television photography