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北京京剧团根据同名话剧改编,演出的《杜鹃山》,反映的是一九二七年闽赣边区农民在共产党领导下打土豪闹革命的故事。整个演出从生活出发,从人物出发,创造性地发展了京剧艺术表演程式,塑造了洋溢着时代精神的革命英雄形象——几位有修养的京剧艺术家,裘盛戎扮演乌豆、赵燕侠扮演贺湘、马连良扮演郑老万,都创造出了生动感人的革命英雄形象。这三个主要角色出场时,都戴着刑具,这当然不是偶合而是寓有深意的构思。同样一副镣铐,戴在乌豆身上就象引燃仇恨的火种,他用尽全身的力量要砸开它,终于亲手把它毁掉;在郑老万身上,
Beijing Opera Troupe reorganized and performed “Rhododendron Hill” according to the same name drama, reflecting the story of the peasants in the border areas of Fujian and Jiangxi in 1927 who beat the country with the tyranny under the leadership of the Communist Party. The whole performance proceeded from life, proceeding from the characters, creatively developed the Beijing Opera performance program, shaped the revolutionary hero image filled with the spirit of the times - several well-established Beijing opera artists, Qiu Shengrong playing Wudou, Zhao Yanxia playing He Xiang, Ma Lianliang As Zhengao Wan, have created a vivid and touching revolutionary hero image. Of course, these three main characters were wearing torture instruments when they were present. This is certainly not a coupling but a profound conception. The same pair of handcuffs, worn on the body of beans as igniting the fire of hatred, he exhausted the power of the whole body to break it open, and finally destroy it by hand; in Zheng old man,