本文是对二战后上海电影产业研究的尝试。在诠释战后上海电影代替戏剧成为首选娱乐方式的同时,分析电影与戏剧,流行乐,广播,歌舞业以及印刷出版业的共生关系。论文三部分分别是“影剧”互动,电影的跨媒体性和作为“社会事件”的产业电影。通过跨媒体,多学科和比较视野的方法论,提供对中国电影产业研究的新思路。 This article is an attempt to research the Shanghai movie industry after World War II. In the interpretation of the post-war Shanghai film instead of drama became the preferred way of entertainment at the same time, analysis of film and theater, pop, radio, song and dance industry and printing and publishing industry symbiotic relationship. The three parts of the dissertation are respectively the interaction of “drama”, the cross-media of film and the industrial film as “social event”. Through the cross-media, multidisciplinary and comparative field methodology, to provide new ideas for the study of China’s film industry.