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文章通过一串记忆、一音、多(弦之一)、声(弦之二)、一/多(弦之三)、音/声,以及音(弦之四)7个部分介绍分析了梁雷的《记忆的弦动——钢琴与民乐队协奏曲》,并以“一音多声”概念对该作品从技术、意义及其内部投射进行整体分析和概括,提出了作品中对钢琴新音色的探索、对民族器乐语言的当代认识、对西方协奏曲体裁的思考、关于中国唐大曲结构的运用、东西方文化及语言风格的融合、中国传统文化的现代转换等问题的探讨。
The article analyzes the structure of Beams by means of a series of seven chapters including Memory, One Tone, One (Multi), Two (Two), One / Multi Ray’s “String of Memory - Concerto of Piano and Folk Band” and an overall analysis and summary of the work from the concept of “One Voice and Multiple Sounds” from the perspective of technique, meaning and internal projection. The exploration of new timbre, the contemporary understanding of national instrumental language, the contemplation of the style of the Western Concerto, the application of the structure of Chinese Tang Daqu, the integration of eastern and western cultures and language styles, and the modern transformation of Chinese traditional culture.