文学批评必须面对一种重要的挑战和考验,可以归之为如何发现(批评对象中)被遮蔽的东西。这也是批评显得有价值而最为困难的地方。 表现上看来,由于媒体的触角无处不在,一切都好像变得“裸露”出来,甚至连各种各样所谓的隐私也几无隐藏的可能。另一方面,炒作又日渐成为批评或与之相关的手段中的不二法门,以至习惯成自然,俨然批评理所当然的首选和正途。这大概是我们这个时代的文学批评所处的最显出特征性的明显现实氛围。 Literary criticism must face an important challenge and test, which can be attributed to how to find out (in the object of criticism) what is obscured. This is also where criticism seems worthwhile and hardest. It appears that due to the media’s tentacles everywhere, everything seems to be “bare” out, and even a variety of so-called privacy is almost no hidden possibility. On the other hand, speculation has increasingly become the only method in criticizing or related to it. It has even become accustomed to becoming the first choice and the right path to criticism when it becomes habitual. This is probably the most obvious and characteristic obvious real atmosphere in which literary criticism of our time is located.