《夏天里的羡慕》把我们带入童稚天真的童年,它仿佛低诉着一个成人在夏日小憩时的一种梦境。编导运用高超的电视手段,为我们营造了抒情诗化的艺术氛围。 通片以桔黄色作为色彩主调,让人想到傍晚时分落日辉映的温馨庭院:灯光下,有人翻阅时隔多年、业已褪色的一帧帧旧照片,追忆中,往事历历。在主色彩下,编导还设置与之相对立的色彩,标志现实过去时空的强烈反差,如开篇与结尾处画面是夜幕中旋转的繁星,夜凉如水,点点繁星,时光飞逝,这是一段历史,也是人生的辩证法;它述说了无情岁月所冲刷挤压下的人对成长、对日益变化的世界的期待。暗蓝的色调中,作者进行了一段冷静的思考,历经夏日三种境界——扇子的夏天、电扇的夏天和空调的夏天——作者是幸福的,他 “The Envy in Summer” takes us into a childlike, innocent childhood, as if it is a complaint against an adult who dreams of a summer break. Director of the use of superb television means for us to create a lyrical art atmosphere. Tongli orange color as the main theme, people think of the evening sun shine warm courtyard: light, some people read after many years, have been faded a frame of old photos, memories, the past. Under the main colors, the director also sets the opposite color, marking the strong contrast between reality and the past. For example, the opening and closing images are the twinkling stars in the night, the night is cool, the little stars, the time flies, and this is a period of history It is also the dialectic of life; it describes the crushing squeeze of hopeless growth in the world and the expectation of an ever-changing world. In the dark blue tones, the author takes a cool look through the summer three realms - the summer of the fans, the summer of the fans and the summer of air conditioning - the author is happy, and he