李斛先生是20世纪五六十年代中国人物画的重要代表人物。他和他的前辈画家徐悲鸿、蒋兆和、同辈画家宗其香等,与同时代发展起来的浙派人物画家群体方增先、周昌谷、顾生岳等共同推动了南北呼应的新中国人物画创新实践高潮的形成。我未曾有缘谋面李斛先生,作为后学,先是通过各类画册刊物认识他的作品,后来陆续在展览会上见到他的原作,并对其一直心存敬仰。就艺术流派而言,李斛先生与徐悲鸿、蒋兆和先生同属于现实主义艺术流派范畴, Mr. Li Hoo was an important representative of Chinese figure painting in the 1950s and 1960s. He and his predecessors, such as Xu Beihong, Jiang Zhaohe and their contemporaries Zong Qixiang, pushed forward the climax of the innovation and practice of Chinese figure painting that echoed north and south with Fang Zengxian, Zhou Changgu and Gu Shengyue, the group of Zhepai ​​painters developed in the same period. I had never met Mr. Li Hoo, as an afterclass, first through his various journals publications to recognize his works, and later one after another in the exhibition to see his original, and has been admired. In terms of art schools, Mr. Li Hoo and Xu Beihong, Mr. Jiang Zhaohe both belong to the realism art genre category,