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中国所藏日本画的主要作者,除上篇介绍的土佐派、住吉派、汉画派、狩野派外,尚有光悦宗达光琳,圆山四条两派。光悦宗达光琳派光悦宗达光琳派是日本美术史上最大的装饰画派,奠基於本阿弥光悦,发展於俵屋宗达,集大成于尾形光琳。又称宗达光琳派,旧称琳派。用印的总体特色,是多喜用大型草书朱文圆印。本阿弥光悦(1558—1637),号德友斋、大虚斋,生于刀剑生产和鉴定的世家。以后成长为优秀的书家、陶艺家、画家、漆艺家,作品风格洗练。作为光悦宗达光琳派的精神领袖、美学指导者,对江户美术界影响深远。代表作有《舟桥时绘砚箱》。多用朱文名章。本阿弥光甫(1601—1682),光悦之孙,号空中斋。多朱文印。俵屋宗达(?—1640),传记和出身不祥,号伊年、对青、对青轩等。绘画上亲近大绘的传统,又与牧溪风格的水墨画存在着共感。代表作为《风神雷神图》。喜用朱文刊号印。但是,在他的周围存在着“俵工屋”、“宗达工房”的无名画人,时时以“伊”印制作程式化的作品。他的样式主要由俵屋宗雪、依屋宗理继承。
The main authors of Japanese paintings in Chinese possession include the Tosa School, the Live Kyrgyz School, the Han School, and the Kano School, which are described in the previous section. Guangyong Zongda Guanglein School Guangyong Zongliang Guanglin School is the largest school of decorative art in the history of Japanese art. It is based on Benyomi Mitsuhide and developed in Nagoya Masataka. Also known as Zong Guanglin school, formerly known as Lin school. With the overall characteristics of India, is more like to use large cursive Zhu Wenyuan. Ben Ami Guangyue (1558-1637), No. Friends of Germany, Dazhai fast, was born in the sword production and identification of the family. After the growth of outstanding book, potter, painter, paint artist, work style and practice. As the spiritual leader and aesthetics mentor of Guangyong Zongliang Guanglin School, it has far-reaching influence on the Edo art community. Representative works of “boat painted when Yan Qixiao.” Multi-Zhu Wen Ming Zhang. Ben A Mi Guangfu (1601-1682), the grandson of light, sky fasting. More Zhu Wenyin.俵 house Zonda (? -1640), biographical and ominous, No. Iraqi year, against the youth, against the Green Hin and so on. There is a sense of commonality between painting and pastoral style painting. Representative as “Fengshen Thor figure.” Like to use Zhuwen issue number printed. However, around him there are “artist’s house”, “Zongda studio,” the nameless artist, from time to time to “Iraq” printed for the production of stylized works. His style mainly by the 俵 house Zong Xue, according to house Zong Li inherit.