叶长海认为,大作的产生和戏剧评论有直接的关系,然而现在批评却陷入了困境。我们提倡评论家与戏剧家交朋友,这个朋友如何交法,特别是戏剧很不景气的时候。评论应当是直言不讳的,但是我们所看到的,更多的是吹捧。这里有两方面:有的评论者认为在戏剧不景气的情况下出一个戏很不容易,尽管有这样那样不足,还是尽可能地鼓励。这种想法是可以谅解的。而 Ye Changhai believes that the production of masterpiece has a direct relationship with the drama criticism, but criticism is now in a dilemma. We encourage critics to make friends with dramas, how to deal with this friend, especially when drama is downturn. Comments should be outspoken, but what we see is touted more. There are two aspects here: Some commentators think that it is not easy to play a drama in a downturn situation, and encouragement is as much as possible despite such inadequacies. This idea is understandable. and