《好兵》是英国现代主义大师福特最重要的作品之一。一直以来,评论界对该小说的研究角度主要集中叙事学、伦理学和存在主义哲学等方面,而从后殖民批评理论视阙出发剖析主人公帝国军官爱德华的“自我”身份和其“他者”妻子利奥诺拉的身份冲突的考察则相对较少。因此本文尝试以维多利亚时代帝国殖民主义意识为背景,通过分析和阐释利奥诺拉在与丈夫爱德华在涉及世俗与宗教两大领域的“求爱战役”中胜出,成功实现被殖民者的反殖民,继而管窥福特对大英帝国日渐衰落的忧思。 “Good Soldier” is one of the most important works of Ford, the master of Modernism in Britain. For a long time, critics have focused on the narrative, ethics and existentialist philosophies of the novel. However, from the perspective of postcolonial criticism, Edward’s “identity” and its “ Others ”wife Leonora’s identity conflict investigation is relatively small. Therefore, this article attempts to Victorian era empire colonialism as the background, through the analysis and interpretation of Leonorla and her husband, Edward in the two fields involved in secular and religious areas, “courtship” won the successful realization of the colonists were anti Colonization, followed by a glimpse of Ford worried about the declining decline of the British Empire.