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申波教授的新著《云南新音乐创作百年史话》的出版可喜可贺。本书作为地方性、区域性的音乐史写作,为了解和研究云南音乐打开了新的视野,也为现当代中国音乐史的写作注入了新的内涵。本文以此书的历史编纂风格为话语研究切入口,探讨云南音乐的现代性启蒙、民族性浸透以及结构性突围。在文章的叙述中,情节化的解释、论证模式的选择、意识形态的蕴涵始终贯穿其中,笔者希望通过文本细读以及风格化的理解为当下音乐史写作提供有价值的参考依据。
Professor Shen Bo’s new book, “New Century Music of Yunnan, a hundred years of history,” the publication of gratifying. As a local and regional history of music writing, this book opens up new horizons for the understanding and study of Yunnan music and infuses new meaning into the writing of contemporary Chinese music history. This article uses the historical compilation style of this book as an entrance to the study of discourse, exploring the enlightenment of modernity, nationality penetration and structural breakthrough of Yunnan music. In the narration of the article, the interpretation of plot, the choice of mode of argumentation and the implication of ideology run through it all the time. The author hopes that through textual reading and stylized understanding, it will provide valuable reference for the contemporary music history writing.