解构主义是上世纪60年代在西方兴起的一种电影流派,它的电影剪辑通常不考虑传统的连续性和逻辑进程,它的经典反义词是“反结构主义”。解构主义的人生观,是对人生理想的勇敢实践,对保守的挑战,对规矩的蔑视。其最不能容忍的结局是:5年过去了,可我还是老样子。解构人生,并非盲目地声东击西,左右摇摆。其中的关键词更倾向于突破性、超越、奇迹,等等。山岩都在使用暗力,扭出它的趋势走向,何况人这极端热爱自由的动物。人永远不怕迁徙。从前的人生浸泡在“铁饭碗”里,有保障也有惰性,有依赖也有压抑。即使有个把职业梦想,也只能在发牢骚时随着唾沫星的四处飞溅而归入尘土,命运方向更多的是国家、社会的安排与指定。经济狂潮席卷以后,人才以加速度流动, Deconstructionism is a genre of movies that emerged in the West in the 1960s. Its movie clips usually do not consider the traditional continuity and logical process. Its classic antonym is “anti-structuralism.” Deconstruction of the outlook on life is a brave practice of life ideal, a conservative challenge and a contempt for the rules. Its most intolerable ending is: 5 years later, but I still the same. Deconstruction of life, not blindly sound hit the West, swaying. The keywords are more focused on breakthrough, beyond, miracles, and so on. Rock are using dark, out of its trend trend, not to mention people who extremely love free animals. People are never afraid of migration. In the past life soaked in “iron rice bowls ”, there are protection of inertia, there are dependencies are also suppressed. Even if there is a career dream, we can only fall into the dust with splashes of spit stars when we complain. The direction of destiny is more the arrangement and designation of the state and society. After the economic frenzy swept through, talented people flow at an accelerated rate,