少数民族音乐研究的认识论原理,是音乐社会学与哲学社会学结合过程中产生的,这是人们从哲学社会学角度对民族音乐这一客观事物进行正确认识的科学原理。是指导更好地从事少数民族音乐研究的基础,也是目前我国少数民族音乐现状研究认识论的重要理论思维。长期以来,从认识论原理上,人们对于少数民族音乐研究与艺术科学原理要求还有一段距离。研究者们从斯大林的地域性民族共同体概念出发,对少数民族音乐研究呈现一种地理环境定势。因而忽视了其它 The theory of epistemology of minority music research is produced in the process of combining music sociology and philosophy sociology, which is the scientific principle that people correctly understand the objective thing of national music from the perspective of philosophical sociology. It is the basis for guiding the study of minority music better and is also an important theoretical thinking of the epistemology of the current study of the ethnic minorities in our country. For a long time, from the epistemological principle, there is still a long way to go for the requirements of ethnic minority music research and art science. Based on Stalin’s concept of regional ethnic communities, the researchers present a set of geo-environmental determinations for ethnic minority music studies. Thus ignoring the others