最近,我们专程赴长春,观看了吉剧《桃李逢春》、京剧《剑胆雄风》、评剧《菱花嫂》、话剧《再回头是百年人》、《夕照青山》和吉剧小戏《包公赶驴》、《三放参姑娘》、《孙猴上任》等六台戏。这些戏各有许多优长,有的已达到较高的水平,有的也具备了进一步加工提高的基础。我想就观看这些戏的感受,谈几点有关戏剧创作的问题,供同志们参考,不妥之处,也请批评指正。开掘出深刻的主题“选材要严,开掘要深”——这是鲁迅先生的名言,也是我们每一个文艺工作者人人皆知的常识;但要把这一常识付诸实践,并获得成功却很不容易。话剧《夕照青山》表现老干部离休后的生活,题材颇为新颖,主题有一定的新意,三 Recently, we made a special trip to Changchun to watch the Ji opera “Peach Lee Fumin”, Peking opera “The Swordsman Treasure”, the Pingju “Linghua Sao”, the drama “Hundred Years Later”, “The Sunset” and Ji Opera “ Donkey ”,“ Three Senate ginseng ”,“ Monkey ”took office six sets of drama. Each of these plays has many advantages, some have reached a higher level, while others have also provided the basis for further processing and improvement. I would like to comment on the experience of watching these plays, to talk about the issues of drama creation, for comrades to refer to, and to put aside criticisms and corrections. Digging out the profound theme of “material selection should be rigorous and digging deeper” - this is a famous saying of Mr. Lu Xun and is also a common knowledge of every literary worker of our own. However, to put this common sense into practice and achieve success It is not easy. Drama “sunset Castle” performance of retired old cadres life, the subject is quite new, the theme has some new ideas, three