以往对傅山的艺术风格和美学思想的研究,多重视其书法艺术和文学成就,如傅山书法研究文献连篇累牍,是书法史研究的热点问题。而傅山绘画艺术及其成就则多被忽略不计,研究也不充分。其实,傅山历史名望和书法成就在一定程度上遮蔽了傅山的绘画艺术成就,诗名和画名为书名所掩。近些年来,已有学者对傅山诗歌成就进行了深入研究,而对傅山绘画研究依然稀少。原因有二:其一,傅山的绘画作品不常见。由于历史原因,《霜红龛集》在清末(宣 Previous research on Fu Shan’s artistic style and aesthetics thought more on his calligraphy and literature achievements, such as the rich and poor literature on the calligraphy of Fu Shan, which is a hot issue in the history of calligraphy research. The Fu Shan painting art and its achievements are more neglected, the study is not sufficient. In fact, Fu Shan’s historical fame and calligraphy achievements to a certain extent obscured Fu Shan’s artistic achievements in painting. The poem name and the title of the painting are covered by the title of the book. In recent years, some scholars have conducted in-depth research on the achievements of Fu Shan’s poetry, while the research on Fu Shan’s paintings is still scarce. There are two reasons: First, Fu Shan’s paintings are not common. Due to historical reasons, “Cream red niche set” in the late Qing Dynasty (宣 宣