忽视语言——当前实践和理论上的一种偏向“戏剧危机”现在已经不再是一个令人羞羞答答的话题了。“危机”促使戏剧工作者进行舞台实践的大胆创新和理论研究的多向拓展,戏剧观念正在发生着深刻的变化。这是好事,同时也潜伏着危险。因为舞台上的创新和理论上的探讨,一方面可能日益逼近戏剧本质,强化其特性,使戏剧在形形色色艺术样式的相互竞争中站稳脚跟;另一方面,也不能排斥有些“创新”只不过是为了应付困境,靠一时的新鲜感吸引观众的好奇心。这种“成功”,以牺牲戏剧特长为代价,因此很可能成为转瞬即逝的过眼烟云。 Ignoring Language - A Current Practice and Theoretical Biasing “Theatrical Crisis” is no longer a shy subject to answer. The “Crisis” urges the theater workers to make bold innovations in the stage practice and multi-directional expansion of theoretical research, and dramatic concepts are undergoing profound changes. This is a good thing, but it also lurks danger. Because of the stage innovation and theoretical discussion, on the one hand, it may be closer to the essence of the drama, to strengthen its characteristics, so that theater in various forms of competition in art stand firm; on the other hand, can not exclude some “innovation” only Is to cope with the predicament, by the freshness of a moment to attract the audience’s curiosity. This “success”, at the expense of dramatic genius, is likely to be an ephemeral vision.