形体是歌剧演员塑造角色时从外部来体现人物的主要手段。演员在塑造角色时,通过形体展现出剧中人的内心活动与情感。对于这一点,我通过排演陕北民歌剧《延河谣》颇有感悟。《延河谣》是一部非常优秀的原创陕北民歌剧。剧情背景从上个世纪的抗日战争延续到解放战争,通过延河岸边平凡人物的典型事迹,以小见大艺术地再现了延安时期党和人民群众的鱼水深情,讴歌了延安人民一心向党,一心为公的高贵品 The figure is the main means by which the figure is represented from the outside when the opera actress shapes the character. When the actors in shaping the role, through the body to show the play’s human activities and emotions. For this, I was quite sentimental by rehearsing the Yanbei Ballads in the northern Shaanxi folk opera. “Yan River Ballad” is a very good original opera in northern Shaanxi. From the anti-Japanese war of the last century to the liberation war, the background of the plot reproduces the deep-seated love of the party and the people of Yan’an during the Anti-Japanese War from the last century to the liberation war through the typical deeds of ordinary people on the Yan River. Dedicated to the public’s noble goods