魏德圣导演的电影《赛德克·巴莱》是一部具有史诗品格的优秀之作,再现了台湾原住民矫健的身姿与无畏死亡的灵魂。《赛德克·巴莱》根据“雾社”事件改编而成,但未将此抗日事件简单化成民族仇恨,而是将原住民置于殖民、文明、野蛮组成的多重矛盾之中,再现多重立场下身份认同的艰难。政治殖民不再,当下原住民仍陷于传统文化与现代文明的难解纠葛,这个身份困境也困扰着所有后起民族。 Wei Te-shing’s director, “Sidike Balai,” is a masterpiece of epic character that recreates the vigorous posture of Taiwan’s aborigines and the soul of fearless death. “Sadike Balai” was adapted from the “Wushe” incident but did not simplify this anti-Japanese incident into a national hatred. Instead, it placed the aboriginal people in the multiple conflicts of colonialism, civilization and brutality, Reproduce the difficulty of identification in multiple positions. Political colonization is no longer the moment, aboriginal people are still trapped in the traditional culture and modern civilization inextricable dispute, this identity predicament also plagued all later national.