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引言:刘心武的《钟鼓楼》通过集中描写一群生活在社会底层的小人物,不仅丰富了现代化转型语境中社会文化反思的横截面,还借助环境和人物形象的共性设置渗透出一种“庸俗的、功利取向的、苟且偷安的”底层民众文化的意识形态。本文以“乞丐意识”作为切入点,考察作品中环境及人物设置的共性特征,揭示作品对底层小市民阶级精神文化状态的叩寻与关切。“乞丐”是一种特殊的社会群体,且有着悠久的存在历史。乞丐文化的独特内涵,在文学再现说的视域中,颇
Introduction: The “Bell and Drum Tower” by Liu Xinwu focuses on a group of small people living at the bottom of society. It not only enriches the cross-section of social and cultural reflection in the context of modern transformation, but also permeates the common set of environment and characters to infiltrate a kind of vulgar Utilitarian-oriented, easy-going, “the ideology of the bottom of popular culture. This article takes ”Beggar Consciousness “ as the breakthrough point, investigates the common features of the environment and characters in the works, and reveals the scrutiny and concern of works on the spiritual and cultural status of the grassroots. ”Beggar " is a special social group, and has a long history of existence. The unique connotation of beggar culture, in the view of literary reproduction, quite