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滥觞于原始奴隶制社会,繁盛并完善于元明封建专制时期,绵绵续续延蔓至今目前已极度困窘的中国戏曲,还要不要发展?还能不能发展?如何发展?这一系列疑虑,近年来尤为激烈地困绕在每一个戏曲关注者的头脑中。本来,在戏曲悠远而漫漫的发展史中,历经了几多革故,几多变异,几多蝉蜕。尤其是近百年来,许多先辈在戏曲变革实践中,早已为后人立下了楷模。今人完
In the primitive slavery society, prosperous and perfect Yu Yuanming feudal autocratic period, continued to extend the extension has so far embarrassed Chinese opera, but also to develop? Can not develop? How to develop? This series of doubts in recent years To particularly intense in the minds of every drama followers. Originally, far and long in the history of the development of drama, after how many changes, how many variations, how many succumbs. Especially in the last hundred years, many of our ancestors have set a good example for future generations in the practice of drama reform. End today