川剧的艺术生命活力,不仅鲜明地显示在对历史题材、历史人物的出色塑造和精采表演方面,也表现在对现实生活能作令人称道的反映,如果说编、导、演、音乐、舞美各方面都具有艺术功力的话,成都市川剧院三团演出的现代戏《二丫与秀才》(编剧钟韬、吴晓飞,导演晓艇、温琼如、王竹慧,艺术指导史家健),又是一个好的例子。《二丫与秀才》是根据已故著名作家周克芹中篇小说《果园的主人》、《秋之惑》改编的。小说与戏剧是两种迥然不同的艺术样式。虽然小说为编剧提供了“根据”,但“根据”决非戏剧。作家周克芹也深 The vitality of the artistic life of Sichuan Opera is not only vividly shown in the excellent shaping and brilliant performances of historical subjects and historical figures but also in commendable expressions of real life. If we say that editing, conducting, acting, music, In all aspects, the modern opera “Er Ya and Sai Cai” performed by the three troupes of Chengdu Sichuan Opera Theater (screenwriter Zhong Tao, Wu Xiaofei, Xiaowen Wen, Wen Qiongru, Wang Zhu Hui, and art director Shi Jiajian) is another good example. “Ah Ah and scholar” is based on the late famous writer Zhou Keqin novel “owner of the orchard”, “Autumn’s Puzzle” adapted. Fiction and drama are two very different styles of art. Although novels provide a “basis” for scriptwriters, “according to” is by no means a drama. Writer Zhou Keqin also deep