论文部分内容阅读
近日翻阅资料,偶见《语文学习》81年第一期上《略谈诗经》一文,在谈到比兴时说:“兴的形式约有如下四种:(一)各章都用同样的事物起兴的,如《萚兮》。(二)各章用不同事物起兴的,如《南山》。(三)一章之中完全用兴的,如《葛覃》的第一章。(四)全诗都用兴法来歌唱的,如《鸱(氵鸟)》。”前三种无庸置疑,第四种则不敢苟同。所谓“全诗都用兴法来歌唱的”这种形式,我以为根本不存在。首先,这种所谓“兴的形式”是同“兴”的概念矛盾的。依该文作者之见,兴是启发,是诗人先见一种景物,触动了他心中潜伏的本事和思想感情而发的歌唱。也就是说,一首运用了
Recently, I read the data. I occasionally read the article “Slightly Talk about the Book of Songs” in the first issue of “Language Study” in the 81st year. When talking about Bixing, I said, “There are about four forms of Xing: (1) Each chapter uses the same The things that make things exciting, such as “萚兮.” (B) The chapters use different things to flourish, such as “Nanshan.” (3) It is fully used in one chapter, such as the first chapter of “Ge Xi”. (4) All poems are sung with the Xingfa method, such as ”Yi (bird).“ The first three kinds are unquestionable, and the fourth one is not agreeable. The so-called ”all poems are sung by the revival method.“ I don’t think it exists at all. First of all, this so-called ”form of prosperity“ is in contradiction with the concept of ”hing". According to the author’s opinion, Xing is an inspiration. It is a poet who sees a sight, touches the lurking nature and thoughts and feelings of his heart and sings. In other words, one used