近年,苏州过云楼的珍稀书画古籍藏品,被几场拍卖会炒得红红火火,一时间社会上形成了一股“过云楼热”。本来,弘扬中华传统文化,解读吴文化深厚的底蕴,是一件好事。然而,有些关于过云楼历史的作品和文艺宣传却背离了历史的真实,有些作者似乎太热衷于个人情绪化的表达,甚至不惜违背事实,毫无逻辑地进行编造。前些日子看了一出音乐剧,旨在演绎百年过云楼和楼主顾麟士的历史故事。其中男女主角,一个是历史真实人物顾麟士,另一个是完全虚构的美人儿虞枕书。剧情从他们相逢、相识、相恋到相爱、相依、相守展开,不惜浓墨重彩,意在突出其主题:“一段以书为媒的旷世情缘”。虽然说,文艺创作允许虚构,但是前 In recent years, the ancient books and paintings of Suzhou over the cloud floor collections, was auctioned on a number of auctions booming, a time society formed a “cloud floor hot.” Originally, it is a good thing to carry forward the traditional Chinese culture and interpret the deep cultural heritage of Wu culture. However, some works and literary propaganda about the history of Yunlou have deviated from the reality of history. Some writers seem too keen on expressing their emotions in an individual manner. They even do not hesitate to fabricate them in violation of facts. A few days ago saw a musical that aims to interpret the history of a century-old building and the landlord Gu Lin Shi’s story. One of the male and female protagonists, one is the history of the real people Gu Lin Shi, the other is completely fictitious beauty child pillow pillow book. Plot from their meet, acquaintance, fell in love to each other, dependencies, keep together, spared no efforts, intended to highlight its theme: “a book for the media unforgettable love.” Although, literary creation allows fiction, but before