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岛崎藤村的《破戒》自问世以来一直受到文学界和评论界的瞩目,中日众多文学评论从其文学、自然主义、部落问题等不同角度对其进行了深入分析。本文将选取不同视角,从作品中设定的女性人物形象的婚姻(感情)出发,将七组夫妇(恋人)分为三种类型:忍耐型、平凡型和精神型,分析各种不同的婚姻形态,从而折射出时代背景明治时期女性的社会地位和家庭角色。新旧并存的时代,女性的自我权利意识尚未完全普及,自由恋爱等先进思想观念部分接受,旧制度下的“顺从”观念依然势力庞大。
Shimazaki Fujimura’s “Poetic Wraith” has drawn the attention of literary circles and critics since his publication. Many Chinese and Japanese literary critiques have conducted in-depth analyzes from different angles of his literature, naturalism and tribal issues. This article will choose different perspectives, starting from the marriage (feelings) of the female characters set in the works, classifying the seven groups of couples (lovers) into three types: patience, trivial and spiritual, analyzing different kinds of marriage Morphology, which reflects the era of the Meiji era women’s social status and family roles. In the era of co-existence of old and new, women’s awareness of self-rights has not yet been fully popularized, and some concepts of advanced ideas such as free love are accepted. However, the concept of “obedience” under the old system is still tremendous.