从事艺术行业的人总是有一个缺点,那就是他们很少客观地欣赏自己同行们的作品,无论对方是在世还是已经过世,他们的态度都是一样。例如当一个诗人读别人的诗歌时,他总是很少在意与后者的优点相比,自己有没有不足之处,相反,他以读者的身份,在乎的是后者是否提供了他自己目前所面临困难的解决之道。一个诗人对同行诗歌的评价很少单纯地采取审美的立场,他经常喜欢的是对方那些差一点的诗歌,从中他可以偷学几招,而不是所学甚少的优秀之作。因此,他对那些影响他 People in the art industry always have one flaw, that is, they seldom objectively appreciate the works of their own colleagues. Whether they are alive or have passed away, their attitudes are the same. For example, when a poet reads someone’s poem, he always seldom cares about whether he has any deficiencies compared with the advantages of the latter. On the contrary, as a reader, he cares whether the latter provides himself or herself Faced with the difficulties of solution. A poet’s appraisal of peer poetry seldom merely takes an aesthetic standpoint. He often likes the poorer poems of each other, from which he can steal a few lessons rather than master his outstanding works. Therefore, he influenced those who affected him