在摄影技术发明之前,米开朗基罗在西斯廷教堂中所绘的壁画可以通过印刷的版画被人们观赏、学习和评论,这突破了这些壁画的物理局限。强调这一点也许显得有些多余,但正是17世纪之后的大量图片印刷推动米开朗基罗笔下的人物传播得越来越广——要么作为复杂的造像模式,要么着力于图像细节,这些人物出现在艺术批评和通俗出版物中。我的研究从 Prior to the invention of photography, the murals Michelangelo painted in the Sistine Chapel could be viewed, studied and commented on by printed prints, which broke through the physical limitations of these murals. It may seem superfluous to emphasize this, but it is the printing of a large number of images after the 17th century that led to the spread of Michelangelo’s characters more and more - either as a complex figurine model or with image details, where these characters appear In art criticism and popular publications. My research from