今年五月,第七届全国尤金·奥尼尔学术研讨会暨奥尼尔戏剧演出周在广州举行。为参加这个活动,广东省剧协和广州话剧团联合制作演出了奥尼尔的四幕剧《安娜·克里斯蒂》,并盛情邀请我出任导演。这对于我们这些搞戏剧的人的确是一件难得的事情,无论是对于导演、对于演员还是对于剧团都很难得,因为现今中国戏剧舞台太多地被浮躁、喧嚣和急功近利的气氛所笼罩,难得有一份宁静悠闲来 In May this year, the Seventh National Eugene O’Neill Symposium and O’Neill Theater Week were held in Guangzhou. To participate in this event, the Guangdong Provincial Drama Association and the Guangzhou Repertory Theater co-produced O’Neill’s four screenplay “Anna Christie” and kindly invited me to be the director. This is indeed a rare thing for us, those who engage in drama, whether it is for directors, performers or theater troupes because the theater stage in China is too much clouded by impulsive, noisy and quick success, Have a quiet leisurely come