青年画家符超军的《民居系 列》,并未有让人们看到一系列的老 房子或者各式各样的破壁残垣,而仅 仅是一些由作者自己做着重新组合 排列的中国古老民居中的饰物和器 具。其中包括木雕、砖刻、门画、门环 等等。他与他所描绘的这些对象的 原制作艺人,同具匠心:用一种充分 写实的手段描绘出那些先民手下神 秘而抽象的中国古老图腾。 符超军用那非常规的异样而富于装饰意味的构成手段,做了极其主动、自由的画面组织,并由此而使被组 The “folk house series” of young painter Fu Chaojun did not allow people to see a series of old houses or all sorts of broken walls, but only some of the re-arranged Chinese ancient houses by the authors themselves Accessories and utensils. Including wood carving, brick carving, door painting, door ring and so on. He has the same originality as the original producers of the objects he has depicted: the mysterious and abstract ancient Chinese totem of the ancestors is depicted in a fully realistic way. Fu Chao extraordinary non-conventional means that is rich and decorative means of composition, made a very active, free picture organization, and thus was the group