在中国当下的现代音乐创作中,作曲家对于民族传统文化的“垂青”已经是一个普遍的、不容置疑的事实,而且其方式和途径也愈加丰富,不再仅限于“上山下乡”去收集民间音乐素材的采风等活动了,中华民族传统文化的一切形式和成果,如绘画、书法、音乐、舞蹈、服饰、戏剧等等都已成为音乐创作中取之不尽、用 In contemporary Chinese contemporary music creation, the composer’s “favor” of national traditional culture is already a common and incontrovertible fact, and its ways and means are increasingly enriched. It is no longer limited to the “going to the countryside” to collect Folk songs and other folk songs, activities, and all the forms and achievements of traditional Chinese culture, such as painting, calligraphy, music, dance, costumes, drama, etc. have become endless musical creation, with