凡是看过河南豫剧院三团演出现代戏的观众,大概都不会忘记《罗汉钱》里的燕燕、《志愿军的未婚妻》里的未婚妻、《刘胡兰》里的老祖母、《红色的种子》里的张寡妇、《革命的一家》里的母亲和《冬去春来》里的老奶奶……这一系列的现代妇女的形象,和那富有艺术表现力的唱腔。细心的观众也许能从这许多剧目的说明书上的演员表中发现这样一个问题:这些年龄、性格和外形都不相同的妇女形象,原来都是出自一个青年演員的创造。她就是这次光荣地出席全国“群英金”、并被选为”‘群英会”主席团成员的青年演员马琳。马琳今年二十四岁,1951年参加郑州市文工团的时候才十五岁。一个刚从学校毕业的学生、一个新文艺工作者怎样变成一个为河南人民所热爱的戏曲演 Anyone who has seen the modern drama of the three troupes in Henan Yu Theater will probably not forget Yan Yan in “Lohan Money”, his fiancée in “Volunteer’s Fiancee”, the old grandmother in “Liu Hulan” and “Red Seed” Zhang widow, mother in the Revolutionary family and grandmother in the winter and spring. The image of this series of modern women and the artistic expressive singing. Attentive audiences may be able to spot the issue from the cast of the many repertoire manuals: the images of women of all ages, personalities and appearances were originally from the creation of a young actor. She is the young actor Marlene, honored to be present at the “Gone King” nationwide and elected as a member of the “Congregation” Bureau. Ma Lin was 24 years old this year, and was enrolled in Zhengzhou City Arts and Crafts Corps in 1951 when she was only 15 years old. A student who just graduated from school, a new literary workers how to become a love for the people of Henan opera drama