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享誉中外的中国戏剧梅花奖即将迎来她的20年华,这是一个值得庆贺的日子,牵动着亿万戏剧观众的心。作为参与其中工作的中国剧协的一员,不禁思绪联翩,言语形诸笔端。要说的话自然颇多,但我想到的首先是梅花奖获得者们的辛劳伟绩和历史使命。 众所周知,他们这一代人正处于我国社会的一个大变革期,一个社会转型期。习惯于20世纪五六十年代计划经济体制下的运行机制而十年动乱又受到严重摧残的戏剧团体及其从业人员,在八九十年代我国实行改革开放、市场经济的社会环境下,出现了严重的错位,生存状态处于困境之中。社会变革、生态环境的变化,对戏剧艺术自身的社会定位和生命形态也提出了新的要求,在某种意义上说,戏剧和它的从业者正处在一种“内外交困”和新旧交接的门坎上。在这种社会历
The Plum Blossom Award, a renowned Chinese theater at home and abroad, is about to welcome her 20 years of Chinese culture. This is a celebration of the day and affects the hearts of hundreds of millions of theater audiences. As a part of the Chinese dramatists who participated in the work, he could not help thinking and speaking. Naturally, there are many things to say, but the first thing I think of is the hard work and historical mission of the Plum Blossom Award winners. As we all know, their generation is now in a period of great transformation and a period of social transformation in our society. Accustomed to the operating mechanism under the planned economic system in the 1950s and 1960s, the drama groups and their practitioners who had suffered ten years of turmoil and severe devastation suffered from the emergence of a social environment featuring the reform and opening up and the market economy in the 1980s and 1990s. Serious dislocation, living conditions in trouble. Social changes and changes in the ecological environment have also set new demands on the social orientation and life forms of drama art. In a sense, drama and its practitioners are in a situation of “internal and external difficulties” and old and new handovers On the threshold. In this social calendar