新时期以来《曹操与杨修》等一批戏曲佳作的问世,已经让人意识到一种风范的存在,它们应该获得美学和历史的定位。笔者认为,这是一种长期探索的戏曲新形态的成形。它可以称作元杂剧、明清传奇、清代地方戏之后的“第四种戏曲美”。文章分三部分论述了以下内容:1,从晚清“戏曲改良”以来戏曲如何逐渐探索新形态,最终推出的新形态的特征是什么;2,元杂剧、明清传奇、清代地方戏何以是不同的戏曲美,新形态何以是“第四种”;3,戏曲美的一般特征是什么,戏曲新形态何以仍是“戏曲美”。 Since the advent of a series of operas such as “Cao Cao and Yang Xiu” in the new period, people have become aware of the demeanor of a demeanor. They should acquire the position of aesthetics and history. The author believes that this is a long-term exploration of the new form of opera formation. It can be called Yuan Zaju, the Ming and Qing dynasties, and the “fourth opera beauty” after the local drama in the Qing Dynasty. In the following three parts, the dissertation discusses the following contents: 1. From the late Qing Dynasty “opera reform”, how to gradually explore the new form of opera and what is the characteristic of the new form; 2. What is the “fourth kind” of the different forms of beauty and the new form of opera? 3. What are the general characteristics of the beauty of opera and why the new form of opera is still “the beauty of opera.”