近代戏曲舞台上“捧角”成风,但南社人的“捧角”与时下流行之风大相径庭。无论是“捧角”的外在形式还是内在意蕴,都相差甚远。南社文人“捧角”的实质不仅在捧,还在于倡导一种戏剧新理论和新观念,在戏曲界推行一种新风气与新面貌,更在于以评促改。 Modern opera stage “holding angle ” into the wind, but the Nanshe people “holding angle ” and the prevailing style quite different. Both the external form of “holding angle ” or the intrinsic meaning, are far cry from. The essence of the Nanshe literati is not only holding, but also advocating a new theory and new concept of drama, promoting a new atmosphere and a new look in the field of drama, but also relying on evaluation and reform.