当我们惊叹动画“中国学派”的成就时,不难发现背后一些美术设计当时以及后来在中国国画领域取得了非凡的艺术成就,有许多国画家出身动画美术,现今他们很少提及早期的经历,但是两种艺术领域的碰撞不能不说是上个世纪时代动画的一个特征,所留下的艺术创作经历也具有十分珍贵的历史、科研价值。在那个无以复制时期,是动画成就了他们的国画艺术,还是国画艺术成就了动画,每个人都有自己的答案。 When we marvel at the achievements of the animated “Chinese School,” we can easily see that some of the art and design behind us made extraordinary artistic achievements in the field of traditional Chinese painting at that time. Many Chinese painters came from animation art and rarely mentioned earlier However, the collision between the two art fields can not but be regarded as a feature of the animation of the last century. The artistic creation left behind by it also has a very precious historical and scientific value. In that period of no copying, is the animation achievements of their traditional Chinese painting art, or Chinese painting animated achievements, everyone has their own answers.