看了亚明的《访问北欧五国画展》,使我想起郑板桥的诗句:“画到神情飘没处,更无真像有真魂。” 是的,不少人跟我有着同样的疑惑:中国画怎么去表现北欧的都市、洋房和汽车呢?踏进展览室,原先的担心就渐渐地消除了。你看那幅《芬兰绿透》,远处,隐隐绰绰一片树林;中景,几条悠然自得的牛漫步在淡淡的绿色的草原上;近景,一片空白。整个画面充满着静穆秀丽的气氛和美感,使人联想起宋代马远的某些作品。再看那幅《老皇 Having read Yalem’s visit to the Nordic Five-nation Paintings Exhibition reminds me of Zheng Banqiao’s poem: “There is no such thing as real soul in the picture”, many people have the same doubts as me: Chinese painting how to show the Nordic cities, houses and cars? Into the exhibition room, the original concerns gradually diminished. You see that “Finnish green through,” distant, faint enough for a wood; medium, a few leisurely cattle walk in the faint green grassland; near view, a blank. The whole picture is full of static and beautiful atmosphere and beauty, reminiscent of some works by Ma Yuan of the Song Dynasty. Look at that piece of "old emperor