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1972年丹麦制定的电影法案是现今电影生产的运行结构的基础,这项法案的最初目的是电影学院应该支持一定数量的有风险的影片。因为由私人资本资助的丹麦影片公司中很少有机会生产那些有艺术价值的影片。 从1972年以来,不少的影片已显示出这种投资的正确性,至少从艺术的观点上看是如此。但是那些被称为丹麦的私人商业性电影工业,受欧洲经济动荡之影响,确实正在慢慢地衰弱下去。如同其他工业一样,被比它更为强大的财政金融组织扼杀。这样,私人制片人就成为国家对影片投资的合伙人。他们只投资整个费用的百分之二十至二十五。达样,丹麦电影
The Danish film act of 1972 was the basis for the operating structure of today’s film production. The original purpose of the act was that the Film Academy should support a certain number of at-risk films. Because there are very few opportunities for Danish film companies financed by private capital to produce films of artistic value. Since 1972, many films have shown the correctness of this investment, at least from the artistic point of view. But those private commercial film industries, known as Denmark, are indeed slowly weakening under the influence of the European economic turmoil. Like any other industry, it is stifled by more powerful financial institutions. In this way, the private producer becomes a partner in state investment in the film. They only invest between 20% and 25% of the entire fee. Like sample, Danish movie