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『娱乐与内涵的结合』毋庸讳言,看过《京都球侠》的观众,都会承认它具有较强的娱乐功能,除此之外,它又会使你『邀游』在思索的『海洋』之中,感到它那潜藏的思想内涵存在,它的内涵就是维护民族尊严,不甘屈辱沉沧。颇见艺术功力的是:本片能有机地将两者熔于一炉。而纵观某些国产片中,有的意念大于形象,说教溢于画面,编导为了急欲表现自我,就往往会直奔主题,或借人物之口,侃侃而谈哲理性语言;或用编造的牵强故事来图解创作初衷,而往往对娱乐功能、观赏价值不屑一顾,因此尽管你拥有孤芳自赏的思想深度,由于游离人物之外,故观众并不买帐。有的片子则恰恰相反,一味强调『娱乐至上』,画面上刀光剑影、美女如云,插科打诨、逗乐嬉闹,可谓五光十色、眼花缭乱,但观后却如过眼烟云,留下一片空白,绝无想象余地。这种各执一端的做法,都不能争取到最大层面的观众。
The combination of entertainment and content Needless to say, spectators who have watched “The Battle of Kyoto” will admit that it has a strong entertainment function. In addition, it will invite you to “thinking about the sea” Among them, it felt that the underlying ideological content exists, its connotation is to maintain national dignity, unwilling to humiliation. Quite the art skill is: the film can be both organic melted in a furnace. While looking at some domestically produced films, some of the ideas are bigger than the images, and the doctrines are overflowing with images. The director tends to go straight to the topic or speak the philosophical language through the portrayal of characters and eagerness to express himself. Of the far-fetched story to illustrate the original intention of creation, and often on the entertainment features, ornamental value dismissive, so although you have a perceptual depth of thought, because of the free characters, so the audience does not buy it. On the contrary, some films emphasize “entertainment first”. There are plenty of beautiful scenes and glitz on the screen. They are glamorous and entertaining. They are colorful and dazzling. However, there is no room for imagination. This one-sided approach can not win the largest audience.