尼尔·波兹曼在《童年的消逝》一书中警示世人已进入了一个没有“儿童”的时代。这并不是危言耸听。当下这个全球化的、媒介融合的数字时代的确藏匿着“儿童”逐渐消逝的危机。如果以此视点审视当前国产动画则不难发现,要还原一个去成人化的、本真而纯洁的儿童世界实则不易。央视少儿频道播出的系列动画片《家有浆糊》却让我们感受到这种难得的气息。该片以淘气机灵的小学生浆糊为中心人物,为观众展示了以他的家庭和校园生活为主线的一连串喜剧生活场景,让人看到了一个并没有完全消逝的快乐童年。近年来,中国动画界始终在思考:如何秉持传统而又 In his book Childhood Disappearance, Neil Bozeman warned that the world has entered a time of no ’children’. This is not alarmist. The current digital era of globalization and media convergence does hide the gradual crisis of “children.” If you look at this current point of view of the current domestic animation is not difficult to find, to restore an adult, pure and innocent children’s world is actually not easy. CCTV Children’s Channel broadcast a series of cartoon “home paste” let us feel this rare atmosphere. The film with naughty smart pupil as the central figure for the audience to show his family and campus life as the main line of a series of comedy scenes of life, people see a not completely disappeared happy childhood. In recent years, the Chinese animation industry has always been thinking: how to uphold the tradition