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话剧《我是一个兵》(白文、所云平编剧)在中国人民解放军前线话剧团演出、1962年1月号《剧本》发表以后,引起了观众和读者的兴趣。这出戏为什么能够充满了艺术魅力?为什么能够使读者和观众发生兴趣?我想就剧本创作和演出两方面来谈谈。奇、巧、新作者在初稿上写了几个字:“連队生活小喜剧”。这是作者最初给这个剧本样式的命名,我就从这一点谈开去吧。什么戏不是从生活里来?为什么要冠以“生活”二字?什么部队生活的戏不是部队生活的反映?为什么又冠以“部队生活”的词句?我想,这
The drama “I am a Soldier” (Bai Wen and Ping Yun Ping Ping) performed in front of the Chinese People’s Liberation Army Repertory Theater. After the January 1962 “Script” was published, the audience and readers were aroused their interest. Why is this play full of artistic charm? Why can the interest of readers and audience? I want to talk about both the script writing and performance. Odd, clever, the new author wrote a few words on the first draft: “company life little comedy.” This is the author’s original name for the script style, and I’ll start from that point. Why did not the drama come from life? Why should it be labeled as “life?” What is the story of the force’s life that is not reflected in the army’s life? Why are the words “army’s life” again?