从70年代后期至80年代初。刚从“文化大革命”的文化专制下解放出来的粤剧,曾经红火了好几年。接踵而来的却是城市观众一年年锐减,以致许多粤剧团相继跌进了“多演多亏,少演少亏,不演不亏”的窘迫境地,甚至一些大剧院、名剧团也难以幸免。曾经鼎盛辉煌过的粤剧,骤然面临如此景况,始料不及的行内人,不禁惊呼陷入“萧条”、“低谷”、“危机”,并为此焦虑不已。有人更认为粤剧已成为“昨日黄花”和“夕阳艺术”,断言它 From the late 1970s to early 1980s. Cantonese opera just released from the cultural autocracy of the “Cultural Revolution” was booming for several years. Followed by a sharp drop in the number of city viewers each year. As a result, many Cantonese opera troupes have fallen into embarrassing situations of “performing more, less acting less and losing more, performing no gain or loss,” and even some big theater and theater troupes are hard to come by Spared Once the flourishing Cantonese opera, suddenly faced with such a situation, unexpected insider, can not help but cry into “depression”, “trough”, “crisis”, and anxiety. Some people even think that Cantonese opera has become a “yellow flower yesterday” and “sunset art”, assert it