康师尧祖籍河南,自号大梁康巽,作为长安画派的一员宿将他几近被人们忘却。偶尔和朋友聊及,仍能听到微词。不是说艺术,而是指他的为人:跟风激进,谨小玲珑。自然是指那个夹着尾巴做人的年代。其实,七十年代我和先生有过六、七年时间的共事经历,亲见他如大家传说“佯装左派”的事情确实不少。但在我的印象里,他的另一面是透骨入髓的旧文人情怀,这往往表现在深夜清谈的字里行间。那时我的宿舍在先生画室对面,深夜无聊常去看他画画,先生虽依旧慎为择言,但一涉笔墨、古人则谈兴渐浓,说宋画、 Master Ting Yao ancestral home in Henan Province, since the beam Kang 巽, as a member of Chang’an School will be almost forgotten by him. Occasionally chatting with friends, can still hear the gossip. Not to say that art, but refers to his man: follow the trend of radical, small and exquisite. Naturally refers to the age of people who live with the tail. In fact, my husband and I had six or seven years of working experience in the seventies, and it was indeed quite a lot to see him, as we all say, “pretending to be leftist.” But in my mind, on the other side of him is the penetrating old literary mind, which often manifests itself in the middle of the night. At that time, my dorm was opposite to Mr.’s studio. He often went to see him painting late at night, though Mr. Chen was still cautious. However,