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对剪纸艺术现场性、民俗性的研究,基本上停留在泛泛地讨论剪纸艺术的特点上,长期以来还是模糊不清。为剪纸而剪纸成为剪纸创作的目的,而且更加的繁琐俗气,剪纸失去了质朴清新的面貌,也愈来愈脱离了“现场性”,由大空间、大环境进入到小镜框。剪纸的这种退化现象,首先来自民俗环境不可抗拒的改变,急剧变化的民俗环境破坏了剪纸艺术正常的传承秩序,剪纸始终与人们的生活融为一体,这不同于架上绘画,今天人们反而努力地把剪纸改造成装进镜框里的美术作品,这大大地降低了剪纸艺术的感染力,造成想象力和创造力的退化。所以,我们关注剪纸艺术的现场性有下面几方面的考虑。
The research on the liveliness and folklore of paper-cut art has basically remained unclear for a long time by discussing the general characteristics of paper-cut art. Paper-cut and paper-cut to become the purpose of paper-cut creation, but also more cumbersome cheesy, paper-cut lost the simple and fresh look, but also more and more from the “live sex” from the large space, the environment into the small frame. This degeneration phenomenon of paper-cutting first comes from the irresistible change of folk-custom environment. The rapidly changing folk custom environment destroys the normal order of inheritance of paper-cut art and paper-cutting is always integrated with people’s life. This is different from the painting on the shelf. Today, people instead Efforts to make the paper-cut into the frame into the works of art, which greatly reduces the appeal of paper-cut art, resulting in the degradation of imagination and creativity. Therefore, we are concerned about the liveliness of the art of paper cutting the following aspects.