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跨越了道路的瓶颈,四川唐代石窟如雨后春笋一般,在涪江、嘉陵江、岷江、沱江、青衣江岩壁上处处生花。唐代的四川,出现了夹江千佛崖,蒲江飞仙阁、大邑药师岩、丹棱郑山—刘嘴、资中北岩、仁寿牛角寨、荣县大佛岩等诸多精品,由此看来,石窟艺术在四川,是以一种充满生命力的状态发散。这其中,又以邛崃龙兴寺、石笋山、花置寺最为精妙,2006年这里整体获评为全国重点文物保护单位。与四川其他石窟比起来,邛崃石窟往往竭尽奢华、繁复之能事,殿宇塔刹、亭台轩榭,堪称四川石窟艺术一个独特流派。古时的石窟中心往往也是交通孔道,历史上的邛崃地当南方丝绸之路要冲,路与石窟的关联,在这里得到淋漓尽致的体现。
Crossing the bottleneck of the road, Sichuan Tang Grottoes springing up in general, in Fujiang, Jialing River, Minjiang River, Tuo River, Tsing Yi River rock wall everywhere flowers. In the Tang Dynasty, there appeared a lot of fine products such as Jiaofu Cliff in the Jiajiang River, Xianghu River in Pujiang, Xiangya River in Daye County, Zhengshan-Danziling River, Zhaizhongbeiyan, Renshou Hornjack, Rongxian Dafo Rock and so on. The art of grottoes in Sichuan is in a state of full vitality. Among them, again to Longxing Temple, 崃, Stalagmite Hill, Huazhu Temple most subtle, here in 2006 as a whole was named the national key cultural relics protection units. Compared with other grottoes in Sichuan, Qionglai Grottoes often make extravagant, complicated energy, temple tower brake, pavilion Xuan Pavilion, called Sichuan Grottoes art is a unique genre. In ancient times, the center of grottoes was often also a traffic tunnel. Historically, when the South Silk Road was going to be impacted, the connection between roads and grottoes was most vividly shown here.