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重写纵观《源氏物语》主题思想研究的历史,不难发现,其学术方法经历了由一元化向多元化的演变。实践证明,时代精神、意识形态、外来理论在该领域的研究中一直处于主导地位,因此,要切实推进我国的《源氏物语》研究整体水平,就必须对国内该领域的研究有所了解。我们应该开拓视野,破除陈旧观念,及时了解学界研究的新成果,这是推进研究向前发展的新契机。20世纪的“源学”研究,其最大的功绩,研究应该融入到了全球文化视野之下,在多元文化视野下《源氏物语》,势在必行。笔者认为,摆脱单一的线性思维和浅表层的批评模式,从哲学、美学、心理学、文化人类学等角度,以比较文学的方法,将《源氏物语》和中国文学、文化进行跨学科的比较研究,将成为《源氏物语》研究之新动向。
Re-writing Throughout the history of the “Tale of Genji” theme, it is not difficult to find that its academic methods have undergone the evolution from monism to pluralism. Practice has proved that the spirit of the times, ideology and alien theories have always been the dominant force in the research of this field. Therefore, to effectively push forward the overall research on the “Tale of Genji” in China, we must understand the research in this field in our country. We should broaden our horizons, get rid of old ideas and keep abreast of new achievements in academic research, which is a new opportunity to push forward the study. In the 20th century, the study of “source learning” has its greatest merit and its research should be integrated into the global cultural horizon. It is imperative that “the Tale of Genji” under the multi-cultural perspective be imperative. The author believes that out of single mode of linear thinking and superficial criticism, from the perspectives of philosophy, aesthetics, psychology and cultural anthropology, the article compares the “Tale of Genji” with Chinese literature and culture through interdisciplinary comparison Research, will become the “Tale of Genji” research new trend.