“5.12”地震诗歌是自1958年新民歌创作和1976年“天安门诗歌”以来又一次民间诗歌创作的大喷发,是新世纪一大文学事件。它与前两次大众写作在写作环境和条件、写作导向、发生机制、操作流程和平台、影响等方面都有巨大差异,具有现代传媒的技术物质性和业余写手作为创作主体的主观性。大众参与的草根写作与现代传媒的技术条件使得地震诗歌文本具有纪实性与在场感,通俗性与大众化,同质性,对革命叙事诗、政治抒情诗等资源的借用,“超文本”等特征。 5.12 earthquake poetry is another great eruption of folk poetry since the new folk song creation in 1958 and the Tiananmen Poetry in 1976. It is a major literary event in the new century. It differs greatly from the previous two popular writing in terms of writing environment and conditions, writing orientation, mechanism, operation flow, platform and influence. It has the technical materiality of modern media and the subjectivity of amateur writers as the main body of creation. Public participation in grassroots writing and the technical conditions of modern media make the poem of earthquake poetry have the features of documentary and presence, popularity and popularization, homogeneity, borrowing of resources such as revolutionary narrative poems and political lyric poems, etc. feature.