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一近几年来,戏曲文学在整个文化主潮的推涌下,也呈现也多元化发展的格局。在多种流派、多种风格、多种形式交叉并存的发展态努中,有一种占据主导地位的美学追求,那就是一些剧作家紧紧追踪时代前进的步伐,充分发挥主体意识在创作过程中的能动作用,大胆探寻戏曲审美本质和人物文化心理,把戏曲文学真正当作“人学”,发掘戏曲文学化统中最具有生命活力的质素。在着力写人的同时,把戏曲文学当作一种特有的文化现象,将人物置放在历史和现实的文化氛围中进行考察、研
In recent years, opera literature has also shown a pattern of diversified development under the push of the entire cultural tide. In the development endeavors of multiple genres, multiple styles and multiple forms of coexistence, there is a predominant aesthetic pursuit that some playwright closely follows the progress of the times and gives full play to the subjective consciousness in the creative process , Explored the aesthetic nature of drama and the cultural psychology of the characters boldly, and used the opera literature as a real study of humanity to discover the most vitality of life in opera literature. While focusing on writing people, the opera literature is regarded as a kind of peculiar cultural phenomenon. People are placed in the cultural atmosphere of history and reality for investigation.