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山水画贵在有意境,要求“思与境偕”。“境”不同于现实之景也不等于画中形象,它是“景外之景”、“象外之象”、“韵外上致”。也就是说,意境产生自意象而又超越于意象,是能深刻表现宇宙生机、世界实相和人生真谛的艺术化境。中国传统文人常常谈“虚”说“无”议“空”,借艺术以体悟、把握宇宙奥秘和人生真谛,产生了许许多多有意境的神品佳作,成为后世师法的典范。
Landscape paintings in your mood, asking “go with the environment.” “Habitat” is different from the reality of the scene is not equal to the image of the painting, it is “King of King landscape”, “as the image of the outside world,” “rhyme above the.” In other words, the artistic conception is generated from the image and surpasses the image, which is the artistic environment that profoundly demonstrates the vitality of the universe, the reality of the world and the essence of life. Chinese traditional literati often talk about “emptiness” and “nothingness”. By using art to comprehend and grasp the mysteries of the universe and the true meaning of life, many literary masterpieces with artistic conceptions have become a model of the latter.