本世纪80年代在中国历史上无疑是一个非常重要的时期。在中国古老的传统文化的背景下,西方现代科技和文化随着改革开放不断渗入,80年代的中国处于一种新旧交替、时空撞击、发展变革的过程之中。也正是在这样一个大的环境中,80年代的中国建筑,从一开始其发展主流便逐渐摆脱了几十年来在复古主义、经济主义和某些庸俗的“理论”影响下产生的形形色色的一元化模式,从四平八稳的建筑形式中走出来。建筑理论亦从引经据典、就事论事的小天地里跃向“大千世界”。循踪而觅,我们不难看出,这一新时期建筑发展所形成的在传统和现代的 The 80s of this century is undoubtedly a very important period in the history of China. Under the background of China’s ancient traditional culture, western modern science and technology and culture continue to infiltrate with the reform and opening up. In the 1980s, China was in a process of new and old alternatives, time and space impact, and development and change. It is also in such a large environment that the Chinese architecture of the 1980s has gradually emerged from its development mainstream from the beginning, and has gradually emerged from the various forms of influence that have been generated under the influence of doctrines of retro-ism, economism, and some vulgarity for decades. The unitary model emerged from a well-established architectural form. The architectural theory has also leapt to the “Great Thousand Worlds” from the little world that has been cited and compiled. It is not difficult for us to see that the building development in this new era has formed in both tradition and modernity.