由于中国古代文人士大夫崇尚道教的自然与无为,使中国水墨山水画呈现了一种区别于青绿山水画独特面貌。特别是近几十年来,由于受到世界美术的影响,水墨山水画与时代的潮流融为一体,在各个领域都取得了发展。山水画作为理论的记叙,开始于晋代,这在资料中是有记载的。在晋顾恺之的《论画》中,第一句便是:“凡画,人最难,次 Due to the nature and inaction of the ancient literati and literati advocating Taoism, the Chinese landscape of ink and wash painting presents a distinctive feature that distinguishes it from the landscape painting of the Qinghai Green. Especially in recent decades, due to the influence of the world art, ink landscape painting has integrated with the trend of the times and has made development in all fields. Landscape painting as a theoretical narrative, began in the Jin Dynasty, which is documented in the data. In Jin Ku Kai’s ”Theory of Painting“, the first sentence is: ”Where painting, the most difficult people, times